arely are grace and profanity cited in the same breath. Debutant filmmaker Abhishek Chaubey's Ishqiya, however, is a privileged exception.

Regardless of its colourful language, simmering sexuality, ribald humour and unabashed reverence for the offensive, the drama has enough lyricism, layers and eccentricity to stereotype it as grim or gawky.

Produced, co-written (along with Chaubey and Sabrina Dhawan) and composed by Vishal Bhardwaj, Ishqiya bears his stamp of brains, brilliance and blasphemy but leaves enough space for Chaubey to establish his credibility. And that's not an easy task when your film is set in the same milieu and texture as Bhardwaj's Omkara. But like Chaubey mentions in an interview, the similarities are mostly 'cosmetic.' He's quite right too.
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